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No Slack of Paradise
Smack in the middle of the wettest Santa Cruz winter in decades, slack key
legends George Kuo and Rev. Dennis Kamakahi bring the real spirit of Hawai'i to
Palookaville's door
By Traci Hukill
HAWAIIAN CHEESE IS legendary. Screaming aloha shirts and matching mu'umu'us,
tins of mac nuts sold for their weight in gold, the same syrupy-sweet strains of
steel guitar dripping from the PA system in every airport, restaurant and
store--all bespeak the tourist industry's unswerving devotion to schlock.
But they're not fooling the Hawaiians. From Ka'u in the south of the Big Island
to Ha'ena in the north of Kaua'i, folks still come home from work, plop down on the
couch with their guitars, tune them ki ho'alu style--Hawaiian for "slack
the key"--and settle in for an evening of playing music and talking story. A
lilting, relaxing style that fuses elements from folk, country, 'ukulele and good
ol' campfire music, slack key has been around for 150 years and just keeps
gaining popularity.
Slack key owes its existence to a few quirky circumstances. In 1832, King
Kamehameha III hired Spanish and Mexican cowboys to control a cattle population
run amok on the Big Island. The paniolos, as the Hawaiians called them
(from español), brought guitars and played them around campfires at
night. After they'd taught the Hawaiians the best of their cowboyish arts in the
way of cattle damage control, they returned home, some generous souls leaving
their guitars behind with the Hawaiians. The official word is that the islanders
adapted the tunings to their own music. In the un-PC and more entertaining
version, however, no one remembered to show the Hawaiians how to tune their new
instruments, and so sprang up a number of creative region-specific tunings that
eventually assumed such whimsical names as "Wahine," "Taro Patch" and "Mauna
Loa."
Until the '70s ushered in a resurgence in cultural pride and encouraged the slack
key masters like Gabby Pahinui and Atta Isaacs to go public with their
considerable knowledge, slack key was steeped in secrecy. Families so jealously
guarded tunings and techniques that performers used to turn their backs to tune
their guitars. Today the tunings for each song are listed in the CD jewel case
jacket, and would-be slack key players can take university classes or learn from
how-to videos and books.
George Kuo has been playing slack key since the '70s, the height of the so-called
Hawaiian Renaissance. Picking up tips from buddies and later from masters like
Ray Kane and Pahinui, Kuo developed a silvery, precise, almost cerebral style of
playing that nods to the old school of the '30s and '40s even as it flirts with
jazz and improv, especially when he's playing with his part-time band, the Sons
of Hawaii. "But we don't go overboard," insists the soft-spoken Kuo. "We try to
keep it the old style."
Rev. Dennis Kamakahi, who really is an ordained Episcopalian minister,
although he only presides "when they need the help," enjoys the distinction of
being one of Hawaii's most popular songwriters. His song "Wahine 'Ilikea"
splashed across the islands when the now-defunct Hawaiian Style Band recorded a
pop version of the song in the early '90s. Like Kuo, Kamakahi started young,
practicing his first chops on a 'ukulele as a tyke of 3 and moving on to slack key
in high school. Kamakahi's style of playing is warm and vibrant, each song a
soulful consideration, but it's perhaps as a vocalist that he's best loved.
Both performers play with Eddie Kamae's Sons of Hawaii and have toured the West
Coast several times in the past seven years. And, of course, possessing
impeccable taste, they agree that Santa Cruz is a great place to play.
"Santa Cruz is one of my favorites," reflects Kuo in a mellifluous voice so
languid I can feel the Polynesian paralysis setting in just listening. "People
there have a real appreciation for slack key."
Kamakahi puts it a different way. "Every time I go to Santa Cruz it's like I was
here in another life. Must be that ocean air."
This page was
designed and created by the Boulevards team.
Slack Key-er Than Thou: Singer, songwriter and slack key master Rev.
Dennis Kamakahi brings a sunny style of island music to Palookaville on Friday.
The Hawaiian Slack Key Guitar Festival begins with a Hawaiian feast at 7:30pm and
music at 9pm on Friday at Palookaville, 1133 Pacific Ave., SC (454-0600). Tickets
cost $14 at the door and $12.50 in advance.
From the January 30-February 5, 1997 issue of Metro Santa Cruz
Copyright © 1997 Metro Publishing, Inc.