Richard von Busack

Staff Writer

Fellow Activist’s Film Pays Tribute to Judi Bari

Judi Bari and Darryl Cherney were on their way to a rally at UCSC when the bomb tore her car apart.

You have a motion-triggered bomb loaded with nails. It’s armed. You, as an anti-clearcutting “Green Mafia” terrorist, are presumably going to deliver this weapon to the Redwood Empire some 200 miles north of the Bay Area. Question: would you first put this bomb under your car seat and take it for a nice twisty drive, 75 miles in the wrong direction, down Highway 17 from Oakland to Santa Cruz?
If you can answer “yes” to this, the FBI needs you.

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Where’s The Romance in The Movies?

A near-death experience plus all-conquering love put ‘The Vow’ squarely in the illness-as-aphrodesiac column.

Once upon a time, potential young lovers could watch a cancer movie together, hoping a weeping session would make that special someone all clingy and compliant. Ali MacGraw will be addressing a crowd at San Francisco’s Castro Theater this Valentine’s Day, along with a screening of Love Story (1970). If “Love Means Never Having to Say You’re Sorry,” as that tearjerker’s famous tagline went, irony means never having to mean it when you say you’re sorry.

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My Career as a Cartoon Vandal

Billy, of one of Bil Keane's creations in The Family Circus, makes his confession.

So Bil Keane is no more. At age 89, this celebrated and beloved cartoonist has gone to meet Winsor McCay and Charles Schulz. The creator of The Family Circus, a redoubt of simpler times for more than 50 years, died Nov. 8.
Few among us have not gloried in the world’s most widely syndicated one-panel cartoon, or chuckled over the gentle, homey foibles of Bil, Thelma and their four rambunctious kids, Billy, Jeffy, Dolly and young P.J., as well as the grim specters “Ida Know” and “Not Me.”

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PRFF: Trainspotting

A burned-out Japanese exec finds peace in 'Railways,' screening Oct. 18.

If you thought trains meant a lot in blues songs, consider how much metaphysical freight they pull in Japanese film. Donald Richie was one of the first westerners to write about Japanese cinema. His new collection Viewed Sideways (Stone Bridge Press) includes a 1993 piece on the importance of trains in Japan’s films.

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